It’s up to each and every one of us to decide whether that’s good or bad. It is becoming more and more universal in its application and its end users don’t have to be sound physicists to master a track, as they unfold the simplicity of their latest product and make it much easier to achieve a good result, without spending years of learning and months of practice. What Ozone’s progression seems to emphasise on is universality. However some users have reported that it is unfortunate that the maximum capacity of modules that can be used at the same time is limited to 6. The plug-in can chain up to 6 modules at a time and any of them can be muted or soloed. There is a wide array of opportunities to choose from in terms of meters and general overview of the modules that the entire Ozone 7 consists of. Having mentioned the importance of the visual design of any piece of hardware or software, it is very important that the guys at iZotope have made a great improvement in this particular field, compared to the previous versions of the plug-in. So there’s no secret why some producers dedicated to a particular genre prefer a specific DAW. The visual traits of DAW are of great importance for producers as it will define the way they will approach their music production, so does the design of a VST plug-in define its usage.
The plug-in features a set of high-quality components that have an outstanding design, which is of great importance to any producer, an aspect we’d like to lay a great deal of emphasis on. IZotope’s Ozone 9 makes mastering cheating, straight up.
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